Olympus Image Space @ The Loading Bay

by Suzy Walker-Toye

This weekend Olympus was doing a very special event to celebrate the launch of my camera‘s big brother the EM1. I went along to the free workshops and they were a great chance to try out some types of photography I’d never done before. Studio lighting with a model and Indoor urban performance photography. And there was a photographic exhibition on in the space – Women of Iceland by Gabrielle Motola. It was especially good given that the current chapter I’m doing for TAOP is ‘Light’. Here are some of the shots I produced.

Studio Lighting with Damian McGillicuddy:

Damian basically set up the lights and talked up thought the choices he’d made and why he’d set the lights up like this. He had two FL-50r speed lights (with some sort of little lighting sock on them so they didn’t light up the white columns they were next to) behind the model for a back/rim lighting. The main light was another FL-50r behind a soft box into the models face from the side. He then got the model to stand ‘like an innocent little girl’ which to be honest given what she was wearing I found a bit creepy. I got her to do the same pose to see if I could get similar photos to Damian but she looked so sad that when Damian was busy with something else I got her to be a bit silly – which she seemed to enjoy – doing aeroplanes :) Here are the photos…

Setting up – I wanted to take a few shots when no flashes were going off and I actually really like these:
Setting up

Damian’s assistant Matt took the light meter readings – all the flashes were on manual mode:
Matt taking a light meter reading

I took this shot before I changed to square format. You can see that they’d moved one light a bit so they ended up slightly asymmetric, maybe its ocd but I really wanted to go over and change it!
Wide shot

On Damian’s advice I set it to square format (thinking I’d be able to choose the crop again later since I’m shooting raw, but for some reason it only showed me the square format in LR and I could get back to the original, not doing that again, I’d prefer to crop in LR if I’m going too):

You can see the light flare in from one side where the light was nearer on one side that the other – it does look quite cool but I would have preferred it if it was intentional.

Aeroplanes :)
Aeroplanes

Urban Performance Photography with R. Cleveland Aaron.

We actually arrived just as one session was finishing – with some cool acrobats doing flips etc but I wasnt standing in the right place for this one. I really wished we’d been there for the whole session with them. As much as the next session was really good, I have less than zero interesting in football.

Urban performers Urban performers

Our session was with football freestyler Colin Nell. He was very talented. If you like football tricks. They work better in video than stills though.

Football freestyler

Football freestyler

I did get to test the ISO capability of my camera though because downstairs it was very dark – only lit by those LED lights so to get a reasonable shutter speed with my not so fast lens I was up at 4000!!

Here is a 1:1 of a portion of that image with no noise reduction on it – ouch:
High Iso 4000

Football Freestyler

Football Freestyler

Football Freestyler

Football Freestyler

Football Freestyler

Football Freestyler

I switched to video which worked much better to capture his actions:

We then went upstairs for another round with a bit more light (thank goodness)! Where Colin demonstrated the same stunts with a hat, a tennis ball and lastly a golfball. He finished off by catching that one in his mouth – eek.

Football Freestyler

Football Freestyler

Football Freestyler

Football Freestyler

Football Freestyler

As talented as he was (and he was very skilled, not one ball came bounding over to the photographers) I still would have preferred to be watching the previous people backflip.

Women of Iceland Exhibition by Gabrielle Motola.

More infor about this in my paper log.
Women of Iceland Exhibition

Here is another review of this event.

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